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Desir?e gets a medical exam from a very sexy alien.

It might seem quaint today now that the media had become essentially impotent and the right-wing resurgence of the early twenty-first century had collapsed into a miasma of its own making, but at the time it was a message with genuine electoral appeal. Many people genuinely believed the nonsense spewed out by the media. It was just a shame that what would be merely diversionary to the general thrust of change-like fascism in the twentieth century and the counter-reformation in the sixteenth century-had a greater impact when its actual result was to cripple the necessary political will to tackle the real problems in the world just as the window of opportunity of doing so effectively was steadily slipping away.

But you can't get all that in a five minute dance number.

Psychlone was one of the top hundred or so dance producers in the world. His music was rocking the decks from Lhasa to Reykjavik, from Pyongyang to Sao Paolo, and from Exeter where it was produced to Beijing where his revenue stream was calculated, subdivided and redistributed. It might be pitifully small but at least Psychlone was able to make a living from his art. It was all conceived and generated on his laptop where only thirty years before the sounds he created would have taken the resources of the world's best recording studios (when such things existed). These same compositions were distributed to the usual outlets from which they were downloaded and eventually caned on the world's best dance floors.

Psychlone was often asked about his musical influences in the frequent web interviews he had to give. It was a crap question because after two centuries of recorded music and a century and a half of electronic dance music there were so many of them. Was it dubstep, techno, reggae, bongo or epsilon that influenced him the most? Psychlone soon learnt that the best responses weren't the truthful or reflective ones that addressed the complex legacy but those that best pandered to current fashions. The real man behind the Psychlone pseudonym had to feed the electricity meter and keep his laptop running on batteries during the frequent power cuts. At the moment the fashion was for a soulful, bass-heavy beat with multiple cut-ups and a disorienting dance step so he could claim that his primary source was fractured dubstep, although Psychlone also listened to Shostakovich, Ligeti and Reich.

"You think too fucking much, Psy," said Ellen, Psychlone's long-suffering girlfriend. "What does it fucking matter what your influences are?"

She was sitting on the battered mattress the couple had bought second-hand from the market despite the presence of a prominent brown stain. She was skinning up a spliff stuffed with sawdust since cigarette tobacco was many times more expensive than its chief ingredient. Psychlone had only moments before finished his online interview with a Los Angeles DJ from the Western Union who'd been enthusiastically dropping the latest Psychlone number. This was a mellow tune influenced by the music of Joe Zawinul and Flying Lotus.

"I dunno," said Psychlone. "I'm an influence myself, you know. I kinda feel responsible. There are guys all over the planet that listen to me on webcasts. I mean, it's fucking LA today. They're the good guys. They play the good stuff and they've got the world's best fucking weed. And then I might give an interview to some schmuck from Houston or a DJ from Casablanca, you know, in the fucking Mediterranean Economic Union. And they're like the bad guys. They're the ones whose governments put a ban on every fucking thing except stuff like dance music and quiz shows, Shouldn't I be doing a bit more than saying I dig these hundred year old MP3s from Croydon? Shouldn't I be doing a bit more?"

"Fuck, Psy," said Ellen passing over the spliff. "Just take a toke and fucking shut up, man."

Psychlone took a hit or two and handed it back. He let the fumes fill his lungs and listlessly watched the bluish smoke billow out from his nostrils.

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